Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.  Related Paintings of Gustav Klimt :. | Avenue in the Park of Schloss Kammer | skulpturen | Schlo Kammer at Lake Atter I (mk20) | Birch Wood (mk20) | jungfrun |
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Jan Van Vucht
Dutch , Rotterdam 1603-1637
Johan Hendrik Weissenbruch
Dutch Painter, 1824-1903 Painter, cousin of Jan Weissenbruch. He referred to himself and signed his work as Jan Hendrik Weissenbruch. From 1840 he attended drawing lessons with the Norwegian painter Johannes Lew, and from 1846 he was taught by Bartholomeus J. van Hove at the Koninklijke Academie van Beeldende Kunsten in The Hague. His early paintings clearly show the influence of van Hove and Andreas Schelfhout, although it is uncertain whether he was actually taught by the latter. His father, an avid collector, owned works by both artists.
Jennie A. Brownscombe
Jennie Augusta Brownscombe American, 1850-1936 She has been called "a kind of Norman Rockwell of her era." In fact, the skillful drawing, attention to detail, and nostalgic moods of her paintings make the comparison between Jennie Augusta Brownscombe and the popular American illustrator seem quite apt. Brownscombe's early life sounds like the story behind one of her own pictures. Born in a log cabin in rural northeastern Pennsylvania, she was the only child of William Brownscombe, an English-born farmer, and Elvira Kennedy, a direct descendant of a Mayflower passenger, who encouraged her young daughter to write poetry and draw. Brownscombe won her first awards as a high school student, exhibiting her work at the Wayne County Fair. When her father died in 1868, Brownscombe began supporting herself through teaching, creating book and magazine illustrations, and selling the rights to reproduce her watercolor and oil paintings as inexpensive prints, Christmas cards, and calendars. More than 100 of Brownscombe's works were distributed this way, spreading her images into homes throughout the nation.